His second version was named “A Wonderful Landscape of Gulliver”. The artist asserted that his inspiration stemmed from Jonathan Swift's timeless satirical fantasy novel “Gulliver's Travels”, as well as from the breathtaking scenery of the expansive university grounds. By illustrating the realm of Lilliput and the land of giants, Vu Dan Tan attempted to replicate the visual effects of these two fictional settings by altering the scale of the natural and material world in relation to human height. In this pursuit, he also continued the ironic and philosophical themes of his literary inspiration, portraying miniature elephants and colossal insects. Throughout his artistic journey, he remained preoccupied with the subjective nature of defining “importance” within the framework of human values.
The third initiative, referred to as “Architectural Fantasies”, integrated architectural features such as towers, pyramids, and multidimensional spaces. These designs are predominantly represented through high-rise structures. Many of them besides the external viewing also permitted human access to their interiors, embodying the artist's vision through the use of various cardboard boxes: the act of looking inside transforms the originally sealed object and alters its fundamental nature.