❝ Money, like the monarchy a symbol of national power, is a recurring vehicle for Vietnamese pioneer contemporary multi-media artist Vu Dan Tan…
Iola Lenzi. ‘The Roving Eye. Southeast Asian Arts: Plural Views on Self, Culture and Nation’, catalogue of the exhibition “The Roving Eye. Contemporary Art from Southeast Asia”, ARTER, Istanbul, Turkey, 2014, p. 42
Paper-currency’s trade ethos, reinforced by Tan’s iconography sourced in a wide cultural and historical pool, exposes the roving eye as in Tan’s hands euros, Hong Kong dollars, lire, pounds and the mighty USD are a forum of playful social study allowing the artist to poke a sacred national institution from a host of vantage points. Tan’s selection of money as expressive idiom relates in part to the new place of capitalism in post-Doi Moi Vietnam. ❞

















